Looking to create a killer first impression? Last week on The Block, the couples were tasked with doing just that. Creating a front yard and facade to die for is challenging at the best of times, let alone for the show’s final challenge.
“When you take in a home’s frontage, it’s always in the context of nature and neighbouring houses,” says interior designer Martine Cooper. “You don’t need to blend in with everyone else, but you don’t want to stick out for the wrong reasons either. There’s nothing worse than a street lined with weatherboard houses and a spaceship-inspired monolith smack bang in the middle.”
Each couple presented an impressive result. We asked the experts for the most important elements to consider when creating a memorable first impression.
Statement front door
A killer entrance requires a fabulous front door. “It gives us a hint of what’s to come inside,” says Cooper, adding that choices now go beyond a timber stained or painted door. “Commercial and hospitality projects are inspiring our choices, with different colours, profiles and panelling all trending.”
Glass was popular this week, with Kirsty and Jesse and Ronnie and Georgia installing unfrosted versions. While the judges approved of the material choice, they agreed that unfrosted glass cost the home privacy.
“Frosted glass can look tacky so I can understand why they chose clear,” Cooper says. “[But ] the only time clear glass works is when there’s full privacy from the street front provided by tall fences, landscaping or a tucked-away location. Otherwise reeded glass or smaller partitions of glass can provide privacy.”
Fabulous fence
“You can add instant value to your property with the right front fence,” says designer Sarah Elshaug. “It enhances street appeal, should be in keeping with your home’s architectural style, and be a colour that is cohesive with the neighbourhood.”
Privacy is crucial, so the fence height should be informed by the height of the bedroom windows overlooking the street and passing foot traffic. The material choice is important too.
“Consider how materials will work in the context of any design constraints,” Elshaug suggests. “Look for varieties that will weather well, are structurally solid or more open, can be painted or left raw, or [come] in a mix of materials including brick, metal or timber.”
Delicious garden
Ronnie and Georgia’s edible garden complete with a colony of bees, (a first for The Block) impressed the judges, who loved the idea of harvesting honey and sharing it with neighbours.
“Not only does an edible garden reduce food miles, reduce packaging waste and increase the vegetation carbon sink, it also creates an aesthetically pleasing garden,” says Liz Hall of Studio Apercu. “Also, enjoying fresh produce straight from garden to plate is tasty and inexpensive.”
Like any garden, good planning is crucial, and while maintaining it takes time and effort, Hall says it’s worth the benefits. “There are physical and mental health benefits, as well as the variety and interest edible plants can bring to a garden,” she says. “Create one anywhere, from an outer-suburb backyard to a small, inner-city balcony. Just ensure your plants are suited to the location.”
Beautiful bricks
Bricks featured in many guises, from Mitch and Mark’s pavers to Tanya and Vito’s mid-century hit-and-miss brick fence. “It’s a versatile material for front steps, ground pavers, garden edging and decorative garden features,” Hall says. “Bricks bring colour, texture and contrast, and aged bricks add warmth and personality and curbside appeal.”
While Josh and Luke were enthused over their choice of white-painted mist brick, the judges weren’t. “When determining your facade, it needs to suit the home’s overall architectural design, landscaping and the area,” Hall says. “Don’t be too trend-driven. If crucial elements aren’t right, it’s difficult to get a buyer through the front door.”
Hall says the biggest mistake people make when using brick is thinking, “It’s just the garden, we’ll do it ourselves.”
“Unless you have experience laying bricks, and [if] you want your brickwork to last, engage a professional,” she says.
A facade to remember
Ronnie and Georgia’s full Colorbond-clad frontage caused gasps of delight from the judges who proclaimed it “modern and elegant”.
“Colorbond can look very architectural, but it’s best mixed with organic exterior materials like brick, timber and stone,” says Cooper. “I love the way many Melbourne homes connect old and new home exteriors with a blend of weatherboard and standing seam [Colorbond]. On its own it can feel a little industrial.”
When choosing a material palette, look for harmonising mediums that work with the streetscape. “Consider what the cladding will protect your home from, then bring all your exterior materials together on a tray to ensure they work together from a colour and textural perspective,” she suggests.
Each home has been cleverly altered by architect Julian Brenchley for The Block contestants to work their reno magic. Photo: Supplied
The Block 2021: Architect Julian Brenchley’s advice to contestants
Huddled in Bronte Court, a cul-de-sac in Melbourne’s bayside suburb of Hampton, sit five Aussie charmers poised for transformation. Each is an old home, cleverly altered by architect Julian Brenchley for The Block contestants to work their reno magic.
Rather than knocking out every last blast from the past, Brenchley earmarked certain features as must-keeps. “It gives them something interesting to work with,” he tells Domain. “It’s interesting to watch their responses around spatial priorities and what they think the market wants.”
From a post-war home to a mid-century treasure, each includes three bedrooms and two and a half bathrooms, gardens and, for the first time, a basement.
Brenchley says it’s “fascinating” to watch them navigate the challenge. “There are some hints of style in each home, but no real control in terms of style or rules,” he says. “They’ll learn a lot from this experience.”
Here we take you on a home tour and quiz industry insiders on what lies ahead for the couples.
“A post-war blond-brick-veneer mess” is how Brenchley describes Ronnie and Georgia’s home. With the potential to be a great family abode, it’s been given new lease of life with tall ceilings, cladding, improved orientation to the north and much-needed street presence. “The high ceilings will be a challenge but are a main feature,” he says. “They’ll need elbow grease to paint them!”
Similarly, the basement requires clear vision and sense of purpose. “It should be designed in a way it can be enjoyed daily,” says interior stylist Sarah Elshaug. “It needs to be created with as much intent as the living room, from paint, flooring and lighting to furniture selections.”
A lack of natural light below-ground means a lighting plan is essential, as is heating. “With a steady temperature of 18 degrees, it’s perfect as an underground cellar, otherwise considered heating should be installed,” she says. “Soundproofing is important for absorbing noise too, and wall panels and soft furnishings, especially wool, are a great option.”
From its Queen Anne-style heritage facade to its small spaces, Mitch and Mark’s cottage could prove “a stretch” for them, Brenchley says. “Usual challenges, like ceiling and room heights, they have in spades,” he says. “There are original features to hinge their design decisions off that will help create a vision.”
Elshaug says meshing the old and new is essential. “Transitions between spaces, cohesive materials, colour and natural light will ensure it feels grand while reflecting the beauty and minimalism of contemporary living.”
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High ceilings imbue a sense of grandeur, but can leave a room feeling “void”, she says. “Considering the scale of furnishings, not only at floor level but into the height of the space, is key for a well-proportioned home.”
“Young folk are keen on mid-century style, so this home is right up their alley,” says Brenchley of the couple’s abode, originally designed by celebrated Australian architect Neil Clerehan. “Mid-century homes can range from 1950s to ’70s, so they can really let loose. They’re having a ball!”
Interior designer Martine Cooper says it’s a style right for today. “There’s an honesty and braveness that makes it an appealing era in today’s world,” she says. “It’s important to respect its origins and intent yet make it work for family life. Mid-century homes have a big personality, appealing connection outdoors, and design open to good sustainability principles.”
The couple should steer clear of any Brady Brunch inspiration, Cooper says, and instead embrace organic form, earthy palette, and indoor-outdoor integration.
A “blank slate” sited on arguably the best spot on the block holds exciting potential for Josh and Luke. “It’s a quintessential cul-de-sac opportunity, with no traffic and a north-facing rear yard,” says Brenchley. “It’s a gift.”
Elshaug agrees. “The site is a big drawcard for families and there’s plenty of room for uninterrupted games of wheelie-bin cricket.”
A large pavilion retaining little of its bungalow past holds potential. “With today’s family life, they should make the most of the generous proportions of Cali Bungalow style living,” she says. “It allows the whole family to enjoy their own space, so dedicated breakouts, like study and rumpus, and indoor-outdoor connection will be key.”
Sitting on over 900 square metres and the largest and only two-storey house on The Block this year, Kirsty and Jesse have their work cut out for them. “The more space, the more work,” Brenchley says. “It’s a poisoned chalice.”
Initially a “salmon-pink atrocity”, Brenchley says the neighbours cheered when they bought it. “It was stucco-rendered blancmange nothingness,” he laughs. “We changed it to a Hamptons-style house, with tonal grey responses. There’s an oak tree out the front to take design cues from. It’s a real feature.”
Cooper says the home “is a winner” and lends itself perfectly to the Hamptons style with the potential for ample gathering spaces, airy appeal and access to the outdoors.
“The original Hamptons homes were grand with a large footprint,” she says. “It’s a style that embraces open plan, spaciousness, height, light, shaker-profile joinery, wall panelling and plantation shutters.”
Size and style are on the contestants’ side, but the cost of detailing could prove challenging. “They should choose spaces they can budget for, and splurge on a couple of rooms, like the kitchen and living room, with a beautiful fireplace and light fittings,” Cooper says. “They’ll need those wow moments.”
I’m so excited to be taking you inside a glorious kitchen renovation today from TLC’s sister interior design studio, Martine Cooper Interior Design.
Martine is the creative mastermind behind this recent gasp-worthy transformation, which is just one of many in her portfolio of interior design work for clients across Victoria and NSW. Specialising in renovations, Martine is our go-to when we work on large-scale projects where construction expertise is required. There’s nobody better!
I sat down with Martine in our shared office this week to ask her more about this kitchen renovation, not only to show you before and after snaps of her work (they’re pretty jaw-dropping), but to get her expert tips on what to consider before you start a renovation in this pocket of your own home.
Above and Below: Before the kitchen renovation, and after Martine worked her design magic.
The Renovation Brief: Hamptons, but not ‘Hamptons’
Martine spent a good amount of time getting inside the heads of her clients; a husband and wife who are now both retired and wanted the kitchen to be a space where family could come together more often.
Functionally, as you can see in the before shot above, it just wasn’t working. Dark, small and lacking storage, the space was tiny in proportion to the large double story home it sat within. Considering the clients both loved to cook and entertain, it was as if the kitchen was fighting them on every practical level. And the style was doing them no favours either.
“They liked the Hamptons style but wanted a more contemporary take on it,” Martine explains. “They also wanted a design that would connect to the existing art deco features of the home, and reflect their love of a soothing grey and white colour palette”.
Doubling the Footprint Meant Knocking Through Wall
The wall that sat between the old kitchen and the study beside it was ripe for removal, allowing the kitchen to double in size and make way for a beautiful servery window that connected the space to the garden outside.
With the husband’s study relocated to another room in the home, work began on making the kitchen much larger. Not that it didn’t come with its challenges, given the age of the home and some of its unique features.
“Something people often forget when you knock through a wall, is that you’ll need to address floor levels and finishes,” Martine tells me. “And the same with ceilings; it’s important to consider this, especially in period homes where decorative cornices or original floorboards may be hard to replicate”.
The outdated hard flooring was replaced throughout the entire ground floor of the home as a result, with some levelling issues corrected by the builder before the new kitchen cabinetry went in.
Banishing the Unnecessary Butler’s Pantry
We all know how hard butler’s pantries have been trending the past few years, but there’s a level of restraint required when mapping out your kitchen reno floor plan. In this makeover, for example, Martine concluded that the footprint just didn’t allow for an ample-enough butler’s pantry. And ultimately, it wasn’t really needed.
“It’s nice to have a butler’s pantry if you have the budget and space.” Martine says. “But whenever I take a brief from a client where we are designing a kitchen I like to do a deep dive into what storage they actually need in the kitchen. Often I find the butlers pantry is an overkill”.
With only two people using the kitchen in this home, Martine mapped out two smaller pantry zones instead, utilising the Convoy Centro Pull-Out Pantry from Hafele. This was combined with an appliance cupboard with bifold doors where the homeowners could store their kettle, toaster and coffee machine.
Creating a Standout Servery Window
As you can see, the connection to the garden outside is a feature that takes this kitchen design next-level; the perfect indoor-meets-out zone. And of course, a result like this doesn’t happen by accident.
When designing the kitchen renovation, Martine discovered a French door leading from the original study to the back garden. It only made sense to convert the door to a window to give the kitchen both a workable footprint but lashings of natural light.
“We decided to create a servery window here and extended the Laminam benchtop to the outer ledge,” Martine explains. “It wasn’t an easy build but our clever builders, Planned Homes, worked on creating a working window and track in the stone to keep everything flush”.
Selecting the Right Stone: Form Meets Function
Once cabinets were selected, Martine began the hunt for the perfect stone; one with a vein that gave a nod to the grey cabinets, painted in Dulux Dieskau. Functionality was key though, because the couple had experience with both natural and engineered stone and wanted something even more durable.
They eventually landed on Signorino Laminam Calacatta Michaelangelo, which was a porcelain slab selected for its heat and stain resistance, plus its ability to be used on a horizontal and vertical plane. Using the porcelain as a splashback also helped to give the space a more contemporary feel, and is easier to maintain and clean (no grout lines).
“The homeowner, having a scientific background, decided he would test the properties of porcelain before committing to this new innovation,” Martine says. “So we provided him with a sample of the Laminam which he then tested with turmeric, red wine, beetroot and lemon juice – all the usual offenders – and he was most impressed with its performance”.
Dressing it with Jewellery: Brushed Nickel Hardware
Tapware and cabinet handles are often a pain point for homeowners when considering a kitchen renovation. Do you go dark, do you go luxe, will it date, is it interesting enough? For this project, Martine kept the original brief in mind and used that to inform her decisions.
“We chose a brushed nickel finish for the kitchen because our clients wanted classic but contemporary. We referenced other door hardware in the open plan area which were brushed chrome as a starting point and went from there,” Martine explains.
While it always comes down to personal preference, Martine’s big piece of advice when it comes to finishes like this: pick the best quality you can afford.
“With brass, I suggest picking something with a natural finish (not too shiny) that will patina and look better over time. Black tapware is a great addition when you want to create a contemporary look with lots of impact, but we felt it was probably a bit strong for the kitchen in this case”.
Design for how you live: consider a typical day in your life and how you use the kitchen. This will then address your functional needs as well as the look and feel.
Don’t skimp on storage: it’s one thing to have a kitchen that looks good but you also want it to function well for a long time to come. Check out companies like Blum and Hafele for clever solutions.
Give your kitchen some personality: be brave and think about how you make your kitchen reflect you and make sure to explore the best materials for how you live.
Bench space is king: with so many people working from home, multitasking between cooking dinner and homework, think about where you can have a good amount of uninterrupted bench space with easy access to power and good light.
Don’t go crazy on appliances: there are some pretty cool appliances out there and it can be easy to get caught up in brand names and features, but this is often where a budget will blow out. Think about how and you like to cook and clean in the area and make a list of the non-negotiables and then go shopping.
My passion for interiors has been there from a young age and while I pursued other career options to begin with – I always found myself looking for a creative angle in all my work. The combination of the creative and having an extensive background in business and project management has been the perfect combination for me to develop logical strategies for problem solving and navigating the design and build process.
HERITAGE MASTERCLASS: featured in Home Beautiful Magazine
Tips on bringing your heritage home into the 21st century – a contemporary renovation.